This work is to explore the static performance of memory in dynamic time. My friend is the protagonist in the photo, and what is recorded is a conversation between me and her about memory. This is the memory of a conversation between me and her from my viewpoint, the expression and documentation of the memory in the present time. For her, it is the experience she recalled in the past, and the memories that happened in the past are recorded through her facial expressions. The feelings you have when you see this work are memories that happened in the future.
Duan, JX. (2021) I think what I think [oil painting].
150 x 140 cm
Camberwell, London
Sort of images of work in a gallery situation
Leda catunda
Experiment-Material and Shape
There is a sense of time in memory, including both sequential and disorder of time. Sequential time is dynamic and the change of ambient light confirms the time changes. Similarly, things will appear and disappear with time. For example, in portrait paintings, wrinkles will appear on people's faces despite the accumulation of time, but their youthful looks will disappear with time. Therefore, in the context of contemporary art, how will portraits in multiple media or forms be defined? Especially abstract portraits painting. What's fascinating is that portrait painting has become the carrier of the artist's implicit memory when the artist subconsciously hides the memory content of the external memory of the portrait painting and only relies on the implicit memory to create the portrait painting. However, abstract portraits portray the immutable implicit memory like a scar, which will not disappear with time. Thus, abstract portrait painting also allows the audience to imagine the external memory part of the portrait painting, which is more interesting than the traditional realistic portrait painting. On the other hand, the portrait painting is still in the disorder of time, such as Déjà vu is produced by overlapping the feeling of the past in a static time with the current still time. When viewers are touched by the portrait painting in front of them, they might have a connection with the memories of the past.
Leda Catunda's "painting objects", a combination of soft sculpture and painted fabrics, drooped down and off the walls. (Grimson, 2021)They show us her gazes back at a place of belonging, revealing a distance, both temporal and spatial, that penetrates her experience of difference. I connected her work with Dalí's 'The Persistence of Memory'. They both subconsciously abstracted time into the flowing state of "sagging form", just like the state of a candle when it was melting. That made me realize that maybe this is the artist's implicit memory unconsciously blended into their works. In their subconscious, the image and state of time is a state of "melting". And this also inspired me to use media to express the state of time in my creation. Because in my implicit memory, the state of time is like flowing water, and I can feel it can pass by.
Leda Catunda
FOLLOW
Roberto e Gabriel, 2020
Acrylic on voile and fabric
57 x 31 cm
22 7/16 x 12 3/16 inches
Experiments about a sense of "time"
shot in studio
Jiaxin Duan
Reference:
Grimson, K. (2021) Leda Catunda and Alejandra Seeber. Available at:https://www.artforum.com/print/reviews/202107/leda-catunda-and-alejandra-seeber-86375 (Accessed: 10 Aug. 2021).