This work is to explore the static performance of memory in dynamic time. My friend is the protagonist in the photo, and what is recorded is a conversation between me and her about memory. This is the memory of a conversation between me and her from my viewpoint, the expression and documentation of the memory in the present time. For her, it is the experience she recalled in the past, and the memories that happened in the past are recorded through her facial expressions. The feelings you have when you see this work are memories that happened in the future.

Duan, JX. (2021) I think what I think [oil painting].
150 x 140 cm
Camberwell, London
Sort of images of work in a gallery situation
Susan Cianciolo

Susan Cianciolo, In the world, not of it, 2018–19, wood and mixed media,
42 1/8 x 30 x 11 3/4''.
The subject of “Games” is both universal—we have all been children—and profoundly intimate. In the vibrant tabletop assemblage In the world, not of it, 2018–19, an address, handwritten in green pen, has been stuck over a scrap of paper bearing the word answer, like a parody of a clue (we are playing games after all). A Google search for “17 West Center Street Beacon 12508” pulls up a yellow wood-frame house near the Hudson River. Without more context, its significance remains opaque. The same holds for the black-and-white photograph of three women in Garden game, 2019, lopsidedly taped against the wall of one of several cardboard boxes filled with aluminum trays of soil, a Dunkin’ Donuts cup holding a fan of crayons, brightly colored plastic toys, and other childhood miscellanea. It might feel familiar, but it’s only an outline, like viewing someone else’s memory.
Reference link: https://www.artforum.com/picks/susan-cianciolo-80412