top of page

Wang Tiande reinvents traditional Chinese script and painting through his innovative use of materials.

Biography

A prominent figure in the development of modern calligraphy, Wang Tiande reinvents traditional Chinese script and painting through his innovative use of materials. For his “Digital” series, Wang painted layers of Chinese characters and landscapes in ink onto paper or vellum, then accentuated certain elements by burning the material with cigarettes or incense. Wang has also produced digital photography, as in Yuhuangshan (2008), which captures an image of heaps of ash made from burnt Xuan paper, giving the appearance of mountainous landscapes. Among his experimental approaches to calligraphy, Wang has been known to have sheep eat grass in the shape of Chinese characters, and to create calligraphy by planting new grass. His work can be seen to occupy a space between past and present, material and immaterial, permanence and transience.

hou_shan_revolve-no16-mst192.jpg
下载.jpeg

Wang Tiande

Digital No. 05 CR01, 2005

Xuan paper, chinese ink on paper and burn marks

53 × 26 in

134.6 × 66 cm

Wang Tiande

Reposing in Changzhou 臥游長洲圖, 2018

ChineTe ink with burn marks on layered rice paper, stele rubbing of Qing Dynasty

33 1/2 in diameter

85 cm diameter

下载.png

Wang Tiande

Chinese Clothes No. 04-D09

2004
Silk cloth with burn marks.
63 x 27 1/2 in. (160 x 69.9 cm).
Signed and dated "Wang Tiande 2004" along the hemline.

bottom of page