This work is to explore the static performance of memory in dynamic time. My friend is the protagonist in the photo, and what is recorded is a conversation between me and her about memory. This is the memory of a conversation between me and her from my viewpoint, the expression and documentation of the memory in the present time. For her, it is the experience she recalled in the past, and the memories that happened in the past are recorded through her facial expressions. The feelings you have when you see this work are memories that happened in the future.

Duan, JX. (2021) I think what I think [oil painting].
150 x 140 cm
Camberwell, London
Sort of images of work in a gallery situation
zeng fanzhi make Van Gogh's Iconic Paintings Look differently from a Chinese Perspective

Zeng Fanzhi - Van Gogh III, 2017
Taking Van Gogh’s iconic paintings as a point of departure, Zeng Fanzhi provides a Chinese perspective, adding a personal twist to his works. In these paintings that are alive with winding lines, the artist connects his own style and identity to the life and work of Van Gogh. To the vigorous, seemingly inimitable brushwork of Van Gogh’s paintings, Zeng responds with a handwriting coming from a tradition of Chinese calligraphy. Taking meanings from the past and reusing them, he continues to generate valuable new ones. Copying Van Gogh’s famed self-portraits that perfectly embody the artist’s style, appearance, and personality, Fanzhi places his identity, as it were, over that of Van Gogh.